The illusion is that with plastic 3-D printers and how you have this tool, it can potentially fabricate anything in the world that you could possibly imagine.
People read a visual artwork through many different things: a title, prominent color or patterns, etc., but they react quickly to something that’s more familiar to them.
On a research trip to Medellín, Colombia, I met a thirty-five-year-old anthropologist and ceramist who enlightened me to the role of indigenous ceramics in contemporary culture.
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