On the eve of Studio Potter's fiftieth birthday, I arrived in Shelburne Falls, and Mary Barringer walked me through the idyllic downtown of the former "world headquarters." From here, we sat together, and she shared her reflections on her editorship, on the journal, and on life after Studio Potter.

This is a protest against the mindset of “It’s only them, and not us.” Because it can be everybody and because it needs to be all of us. The contemporary silent witness sees all of our communal experience and will tell our stories, transforming one of the darkest times of human history into something galvanizing.

"Even though you may not be doing traditional stone or wood carving, you still love the land and the community. You carry those inspirations that you learn from your mother and grandmother, and I think we have to keep educating people about their stereotyping of what Native peoples make and what they do. Like Lillian says, we have to keep doing it and keep educating those folks out there that have this cultural idea that we only make art this certain way." - Richard Rowland

With the time-honored traditions of ceramics and tattooing we continue reinterpreting imagery and objects from the past.

FREE ARTICLE "I have never tired of it. There's always something more to explore in the world of clay and glazes and atmospheric firings. We're dealing with essential materials of earth and fire and water and air, and we're playing, but playing with a purpose – seeking more information," Daphne Roehr Hatcher.

Welcome to the vibrantly intentional world of Brian Vu.

"You have to be mindful. You have to be cautious, but it doesn't always have to be a hard no," Tish Agoyo.

"I think it's really helpful if you can have an idea of what you want your life to look like, day-to-day, and also a year from now," Sue Tirrell

Rather than lean in to an oppositional response, the administrators who chose to be interviewed by Studio Potter here, have allowed themselves to be vulnerable by sharing their honest struggles as they grapple with systemic racism.

There was an old index card box labeled “Deaccessioned, Missing, or Stolen Works” sitting on the top of a filing cabinet. I loved everything about that blend of categories...

It’s kind of an old-fashioned dream. Not obsolete, but grounded in tradition and backed by a love of labor that comes from knowing you hold the ability to make something from nothing.

"Just when it seems the incline and hairpin turns won’t end, deep forest opens up to a passenger-side view of Horner Hall, the recently renovated home to the Penland gallery and visitors center." Join Sarah Kelly in conversation with Penland Resident Jason Hartsoe; captured last fall. A grateful recollection of deliberate advancement toward a goal.

We decided our first trip to the UK would be to St. Ives and Leach Pottery. This started our love affair with British studio ceramics

People read a visual artwork through many different things: a title, prominent color or patterns, etc., but they react quickly to something that’s more familiar to them.