October 1, 2020
Their ceramic objects serve as repositories of technique, mobility, potential, and function, enhancing our understanding and appreciation of situations afforded by domestic environments. Creating meaningful relationships with objects enables us to envision more sustainable worlds with fewer, but, better, things.
September 1, 2020
Haas doesn’t create traditional crockery or Asian ceramics, but he is informed by them. He isn’t making radical ephemeral sculpture, but he is informed by it. In the collide lies Haas and his evolution.
July 1, 2020
Three films by Culture Colony featuring Walter Keeler (The Making of Flailed), Adam Buick (The Making of the Intertidal Jar) and Claire Curneen (The Making of Touched).
May 18, 2020
A timely reminder for those working in traditional craft disciplines that handwork can be deeply resonant beyond the categories used to define the works it produces.
March 24, 2020
The world is facing a crisis. I don’t know what the situation will be when this gets published, but somehow the issues I raise might get lost in the shuffle. There is a reason bottom-line thinking is so highly regarded: it solves problems.
Hannah Walters, “Inkwell,” 15.75″x12″x6″, porcelain and crank clay with tin glaze
February 24, 2020
Modest in appearance, simple in its curation, but big in intention; this gallery is a gem. Long may it, and shows like Tanio/Ignite, continue.
Janet Koplos What Makes a Potter
February 24, 2020
Jack Troy reviews Janet Koplos's new text, What Makes a Potter: Functional Pottery in America Today, featuring fifty interviews with contemporary potters.
July 31, 2019
Studio Potter journal is now publishing exclusively online. Read any SP article anytime, anywhere, from any device, and save a personalized list to read later, too. Subscribe for just $5/month.