Studio Potter

Even the Shampoo Was Nice
By Juan Barroso
My family’s story has been one of resilience and hope, of making the most from the least, and of appreciating the smallest of things. Read More.
Over the Hills and Through the Woods
By Kayla Noble
“When I get to be by myself with the kiln and be in the process of it, I feel like I can hear my thoughts a little better. I have time to hear my responses to what's going on with the fire. What an amazing thing to try to learn. The whole experience, the sound, the sight, the physicality of it, and the sky, having to be outside – I think I fell in love with a squirrel once. There is so much quiet and so many opportunities to pay attention... That’s just such an amazing gift.” -Meredith Kunhardt Read More.
Vibrant Intention
By Brian Vu, By Jill Foote-Hutton
Welcome to the vibrantly intentional world of Brian Vu. Read More.
Pattern, Process, and Synthesis: The Ceramic Sculptures of Mary Shannon Will
By Amy Gogarty
. . . To work with a plan that is pre-set is one way of avoiding subjectivity. . . . The plan would design the work. . . . the artist would select the basic form and rules that would govern the solution of the problem. Read More.
Considering Ceramics Criticism
By Elaine Olafson Henry
“A work of art is a thesis. Every decision that the artist makes supports their thesis. In order to discover that thesis, it is the job of the critic to interpret the visual language used by the artist." Read More.

Latest News

Jul 1, 2021

The Wyoming landscape is not what you could call subtle. Invariably, when driving across the high plains, along with my marvel at the great expansiveness and the magnitude of the confrontational geologic display (Sometimes I imagine the mountains are hankering for a fight. They challenge... Read More

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