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  • Peter and Laurie Pincus Rochester Studio
    The Substance of Time
    Randi O'Brien
    This is where the ceramic objects become more than elaborate packaging. They become records of accumulated attention. Some vessels had to be made five times before the Pincuses considered them successful. The final objects contain both visible labor and the labor that disappeared in the process: the prototypes, failures, revisions, experiments, and discarded possibilities that made the finished forms possible. Read More.
  • Hyelee Lee performance, Untitled, 2025.
    performance, slip-cast penis, vessels
    When Clay Meets Performance
    Heather Davis
    Right now, in a one-piece coverall work jumper, Summer performs their piece, Publ!c To!let. Slipcast penis vessel forms are held to the wall in a diagonal line by snugly fitted custom steel wire rests, the tip of each half-engorged, veined penis form pointed into the open top of the one below. Summer leans into the wall and pees into the form that is closest to the height of their effluvient crotch, using another of the same slip-cast penis vessels held in their right hand to direct the flow of urine into the sculpture. Read More.
  • Small Grid Yunomis, 2026, by Sara Alfieri
    technology, 3D-printing, prototype
    System as Structure: Modular Thinking, Digital Fabrication, and Contemporary Ceramic Practice
    Sara Alfieri
    Over time, I discovered that digital design could do something unexpected: it could extend my hand rather than replace it. By combining 3D-printed prototypes with a modular mold process, I learned to design not just objects, but frameworks capable of generating vessels that reflect architectural logic, spatial awareness, and material sensitivity. Read More.
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Latest News

Chenoa Baker
October 1, 2026
In This Issue - Chenoa Baker New Editor and Executive Director

Newly Appointed Executive Director and Editor Chenoa Baker of Studio Potter

FOR IMMEDIATE RELEASE – A LETTER FROM THE BOARD

Studio Potter is pleased to announce the naming of their new executive director and editor, Chenoa Baker. 

… Read More

In This Issue - Twig Cosby
September 1, 2026
In This Issue - Firing Forward

Across the region of the Pacific Northwest and Northern California, aging kiln sites tucked into forests, valleys, and coastal hillsides have become defining landmarks for generations of potters. A new generation of atmospheric potters is inheriting the responsibility of stewarding… Read More

In This Issue
August 1, 2026
In This Issue – Ceramic Soul Collective: A Rhythm of Community

Every ceramics community has its own rhythm. Some are built around universities or longstanding studios. Others begin with a single workshop, a handful of people, and the willingness to keep showing up. Ours began with an invitation. Before any of us thought of ourselves as ceramicists… Read More

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