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- None - Board of Directors Masthead Founders Editor Emerita Our Partners Apply Events Participate On the Mend What’s Really Going on in Nelson County, Virginia? ReUpped The Tiny Monolith: A Tribute to a Michael Simon Pot 2ºC (Editorial) The Path The Ethics of Making Sustainability: Clay Objects in a Changing World, Part II Nature, Sculpture, Abstraction and Clay: 100 Years of American Ceramics The Redemptive Surface: Clay Objects in a Changing World (Part I) Embracing Embellishment Surface Potters of the Blue Ridge Mountains (excerpt) Beyond the Havana Biennial Preserving Balance Wicked Meltability: A conversation with Jonathan Mess Remembering Norm Schulman Finding Home: Sustaining a Creative Life The Canadian Mantra: Reuse, Repurpose, and Recycle! Six Pots, or the Meaning of Objects After Death Two Sides to Every Coin A New Definition of Useful An Interview with Norm Schulman It's All in Your Head Artstream 2.0 Sexual Discrimination: Thoughts from the Field Women and Clay Reflections on a Feminist Aesthetic Autobiographical Notes Balance and Harmony The Crime of Candor: Feminist Art Criticism Wives Choices: Mothers With Careers in Clay Guerilla Mosaics Architectural Terra Cotta: 1900-1990 Table of Contents - Surface An Interview with Ben Cohen of Ben & Jerry's Ice Cream The Cape Cod Pottery Cooperative Perception / Inner and Outer Vision Star Axis: A Theater in the Sky by Charles Ross Structure, Process, and Fire Revisiting Function: The Spice of Life Citizen Potter A Take on the Tour Pete Seeger on the Hudson Valley Table of Contents - Community Working With Shimaoka: Twelve Apprentice Students: Shimaoka Tatsuzo Sources of Sodium as Vapor Glaze Toshiko Takaezu: At Home In Search of a Unified Theory of Craft: The Reconciliation of Difference Toward a Unified Theory of Crafts: The Reconciliation of Differences The Space of Pottery Speaking Volumes: Pottery and Word Form and Color: A True Symbiotic Relationship Inside the Box Object and Image Delivering Color The Diary of Daniel Clark The Secret Life of Pots Woodfring: Learning From the Past Bernard Leach: An Earnest Presence Fires of Innocence, Fires of Experience Chinese Folk Pottery Sharing the Fire: Woodfiring Among North American Studio Potters Containment The Sculpture of Life Forms at Juniata College Reshaping the Paradigm: The Art of Learning by Doing Variables in Raw Materials: A Report on Contaminated Clay Retrofit: A Solution for the Stacked Brick Door Burnout Financial Considerations Notwithstanding Source Material Time, Place, and Taste of Clay The Role of Agency in a Unified Craft: Some Considerations The Spirit of Chinese Pottery A Residency in China Pennsylvania Passages: Part One: Jack Troy On Mentorship Crossing Boundaries Anonymity and a Secret Afterlife Iteration Open Door Policy Towards an Aesthetic of Digital Clay Field Report No, I'm a Ceramic Artist On Fly Fishing and the Objects of Experience Keeping up with the Jonescast Why I Like to Do Dishes at Mikey's House (My) Parts and (My) Wholes A World's Worth of Experience Failure Makes Great Reclaim Fear of Failure as a (Gasp) Positive Indicator Come Fail Away Teaching the Connection A Ceramic Manifesto: Toward an Expansive Future Mosaics: A Contemporary Approach A Flameware Journey Raising My Voice Karen Karnes, A Conversation Order and Entropy The Portland Brick Project Tales of a Red Clay Rambler: Nina Hole Tales of a Red Clay Rambler: Jacques Kaufmann Tales of a Red Clay Rambler: Mark Pharis Tales of a Red Clay Rambler - An Introduction Editorial, Function/Architecture Fuel Control in a Wood Fired Kiln A Bourry Box Kiln, by Karen Karnes Choosing Another Path Rebuilding the Salt Kiln at Tolne Gjæstgivergaard Let’s Talk About Building(s) . . . Architectonically Speaking The Sensual Arts Shelter: Ceramics and Architecture Remembering John Stephenson Harry Holl Architectural Ceramics Table of Contents - Tangible/Intangible Journeying Into Unknown Spaces A Convergence of Clay, Community, and the Environment Steve Harrison Puerto Rican Potters: Manuel Pagan Akio Takamori: Out of the Cage Choices: Mothers With Careers in Clay Starting Out Michael Cardew: Cardew's Legacy The Supermud Kiln The Practice of Reading Ruth Rippon, Her Story Celebrating Swedish Ceramist Hertha Hillfon (1921-2013) Passing the Torch You're a Potter, and Potters Have Kilns Beginnings & Influences The Balancing Act Nine Authors Pay Tribute to Karen Karnes I'm Tired of Studio Pottery The Mananthavady Women's Kiln Project Sallah Jenkins: Mother, Artist, Creator One Vessel at a Time On Collaborations Successful Women Do Have Children Elspeth Owen Two Different Views from the Same Window: One to the Inside and the Other to the Outside Jessica Steinhäuser’s Kachelöfen Rock-Hard Feminism Contributions of Women in the Development of Jaipur Blue Pottery So, You Want to Wood-fire . . . Architecture in the Ceramic Landscape Being Both: Artist/Mother Gunda Stewart Lives Her Dream Mud Season Musing on Making and Motherhood Women in Ceramics - Editorial Authors' Reading Recommendations Plum Tree Pottery Roots, Growth, Rhythm, and Balance: The Working Potter To Sciatica and Back: A Potter's Journey The Kiln as a Tool, By Svend Bayer Table of Contents - Generation Finding One's Way with Clay (Excerpt) Personal Ethics: Ethics and the Art of the Bowl Whatever We Touch is Touching Us: Craft Art and a Deeper Sense of Ecology A Selected Bibliography Related to Color and Light Weird and Unusual Raw Materials Cheek By Jowl Digital Surfaces Hungry The Digital Future Teach Them to Fish: Thoughts on Charity and Reciprocity Think Nothing Of It Crossing Over Visual Translations The Use of the Volumetric in the Ceramics of Pablo Picasso Highlighting the Human Words About Words The Figure as Metaphor Making Bad Work Thoughts from the Road: Learning to Teach Workshops Celadon Color in Counterpoint Reaching Across a Community Using Local Clay Darwinian Ghosts Michael Simon: An American Potter To Serve the Divine Intent: Potters and the Electric Kiln A Norwegian Potter's Perspective: Studio Pottery Practices in Norway and the Impact of Social Media Limbo Hand Up, I'm Addicted to Social Media Ploughing a New Path From Arkansas to Ghana, The Clay is Still Red Boundaries and Borders Letters Bridge Art with a Huge Bandwidth Crossing Borders, Breaking Boundaries The Transformative Geographies of Murmuration We're All Students Here Blending Genre Boundaries Just Across the Border: Opportunity! Trans-Action Art "Why Figures?" The New Kilns in Town Working Spaces An Interview with Wendy Gers In Memoriam Table of Contents - Indigenous Catch and Release Porcelain: The Transformations of Alice Mermaid Drawing as Intelligence Innovation: A Matter of Connections Thinking About Contemporary Pots The Painted Garden Test Article for Multi-Author Health and Sustainability Slow Clay The 1999 International Woodfire Conference: Tradition Is The Future The 1999 International Woodfiring Conference: The Death and Life of Woodfiring in Asia Place-Based Making Glazes from Local Raw Materials Sixth North Carolina Pottery Conference March 5, 6, 7, 1993 Uncentering Dance Between Ceramics and Painting Pennsylvania Passages: Part One: Willi Singleton Looking at White Dew A Kenzan Incense Burner Decoration and Meaning in Chinese Porcelain Blue The Italian Experience Access to Pots: A Guide to Using Museum Collections Crawling Through Mud: Avant-garde Ceramics in Postwar Japan Japanese Ceramics in America: the Early Years Looking with the Heart A Symposium on Woodfiring Aesthetics The Peters Valley Woodfire Conference The Impact of the Japanese Folk Craft Movement on 20th-Century American Ceramics What's Clay Got to Do with It? Criticism and the Ceramic Arts The Pots, the Place, the People Have Pots, Will Travel Functional Clay Secret Badass Holler Full of Arts, Driftless Wisconsin I Just Make Cups An Education in the Handcrafted St. Croix Tour Lesson in Mud The Maker as Superhero: Social Change Through Making Clay! What the...? Omaha North Hills Pottery Tour Rice and Tea at a Special Station: Creating Memories of Train Travel in Japan Pots, Purpose, and Place Pots, Purpose, and Place Place + Placement Holding Space, Embracing Place Brooklyn Shigaraki's Clay Nine Potters from Philadelphia (and a little bit outside) Twelve Colorado Potters 2018 Pottery Tours Editorial: Regional Perspectives and Pottery Tours Missisippi Trace - Black Crafts Piecing It Back Together Reflections on Legacy Lesson in Mud Test Article Return to Olari Hawaii, A Haole in King Kamehameha's Court The Marks Project: A conversation with Donald Clark The Case for Clay in Art Education What To Do When Life Figures *You* Out Of Jungles and Snow Working with Deaf and Blind Students Putting the Community in College Developing Voice and Vision: A Studio Internship Model Three Guys Walk into a Ceramics Studio... Bunzy Sherman (1923–2017) Paula Colton Winokur (1935–2018) Reclaiming Memory: Expanding the Definition of Successful Learning Finding (And Teaching) the Ceramics of Iran in a Contemporary Context Founded to Showcase the Best: A History of the National K-12 Ceramic Exhibition Foundation Teacher Reflections on “k12clay” The Most Valuable Clay in the World The Workshop Experience for Mentor and Mentee Ask Me Anything: An “Instaview” with Melissa Weiss Adventures in Rebuilding a High School Clay Program The State of Clay Education Student Essays Thirteen Maine Potters Confessions of an Autodidact: Book Learning Practical Notes for Engaging the Restaurant Industry Word from the Editor - The Education Issue Warren MacKenzie: Potter’s Potter I Dig Clay Red Dirt Studio Limited Time Free Issue Download Editorial - Printing Editorial - Paper Clay A Perspective on Computers and Clay Code & The Crafts Potting in a Digital Age The Architecture of Borderlands Ephemeral Material What Do You Want To Be, Clay? X > CTRL+P : An Interview with Unfold Interviews with Three Paper Clay Artists Beginning Your Exploration of Fiber Clay Paper Clay and 3-D Printing Applications in Ceramic Art Wired Into Paper Clay Paper Clay Illuminated: Journey to an Exhibition Remembering Warren MacKenzie (1924 – 2018) Missouri Valley Potters: Victor Babu Translating Tradition: The Pottery of Ben Owen III Sanjay and Jigna Jani: An Interview Ceramics and Computers In Search of Boundaries Eleven New Hampshire Potters Cultural Continuity: Experimental Anthropology in Colombia and Beyond On Fatherhood Living Ceramics: The Art of Vivika and Otto Heino A Conversation with Timea Tihanyi of Slip Rabbit Studio Living Pots The New Online Journal A Brief Interview with Ahrong Kim Potter, Educator, and Collector: The Life and Legacy of Joan Pearson Watkins Defining the Game Remembering Harriet Brisson (1932–2019) A Farewell Letter Test Article Test Article Remembering Harriet Brisson To My Role Mother from Her Student Finding Source What Makes a Potter?: Functional Pottery in America Today Mission Clay: The Industry of Art The Art of Teaching Ceramics: Three Views An Interview with Keith Simpson Clay and The Environment Roots of Collecting Pottery Through the Eyes of the Collector A Holistic, Interdisciplinary Approach to Arts Degrees My Five Favorite Cups On Collecting An Interview with Nick Moen Alyssa Ruberto: A Brief Sighting of a Potter in Residency, Sensorial Connotations of the Material Craigardan: A Piece of Heaven Test Ceramist Diana Kersey’s Physicality: Public Art and Placemaking, Part I An Interview with Nick Moen of The Bright Angle Breaking the Ceiling: Japanese Women in Clay Letter From the Editor Which State of Clay are You Now? BOOK REVIEW TANIO/IGNITE (The Incubator Project) Sustainable Ceramics: A Climate Crisis Reminder (a.k.a. Sustainable Efforts for a Ceramics Continuum) The Tale of a Wandergeselle A Winding Road to Penland: A Conversation with Jason Hartsoe Ceramist Diana Kersey's Physicality: Public Art and Placemaking, Part II Ceramist Diana Kersey’s Physicality: Public Art and Placemaking, Part III It's Still Political Hiraeth Never Fades: Reclaiming My Identity through the Studio What Good Are the Arts? Disrupting the Canon Lesson Plans and Resources for Remote Teaching Chandra DeBuse: Portrait of a Maker One Story Four funerals and a book: Writing The Teabowl: East and West Un-Broken: An Homage to Kintsugi Get the Pots to the People A Public Art Excursion in a Fluctuating Time Many Stories. One Cup Library. Greek Pottery Chasing a Lustrous Rainbow A Form of Prayer Beyond Woodfire The Essence of Tradition: A Review of the JB Blunk Monograph Roller-Skating Toward Hope The Together Trees Never Leave Well Enough Alone Tools for Uncertain Times Maine Prairie Studio: Portrait of Two Makers – The Confidence of Labor Proofing Time The Space Between In Memoriam At the Intersection of Art, Motherhood, and Entrepreneurship: Greenmount Tile A Rediscovery of Self Through Art and Travel Bregus?/Fragile? Clay Musings Art for the Mind's Sake The Cutting Edge: The Clay Artist as Social Critic In Order to Hold Ourselves Accountable Architectural Ceramics The View from One Hundred: An Interview with Beatrice Wood Self-taught My First Wood Firing: South Korea From the Studio to Mars: One Artist's Journey Into Science An Abiding Interest in History The Joy of Cooking: A Medieval Journey Touch: Once Taken for Granted, Now a Sensory Crime Duplicating Daniel Centuries Collide Reclaiming the Potter Ceramics as a Means: An Exploratory Series into Surviving as an Artist Making Room at the Table: An Institutional Response What I Have Learned About Myself Looking into the Empty Vessel Theatre of the Domestic: The Works of Martina Lantin and Zimra Beiner A Cluttered History A Quarantine Meditation: A Feminist Celebration Navel of the Universe The Evolution of Failure Deconstructing Assumptions Given the freedom... Below the Surface Pet Ash Glaze Navigating An Evolving Market: Part I A Conversation with Sunshine Cobb Finding Freedom and Humor in Tradition The Imagination Never Dies: A Resident Artist’s Coming of Age Would You Like a Ham Sandwich or a Burrito for Lunch? Eva Zeisel Essentially Disposable 86 Firings A Review: The Ceramics Congress Korea 2020 Before I Can Talk About Clay Crises and Creativity Purpose and Priorities: Figuring It Out Do You Believe in the Work? Getting Results: Pots, Politics, and the Pueblo Revolt The Soul of a Thing A Revealing Process Today. This Year. The Context of Technique Taking Action Against Hypocrisy The Lessons I Practice Paying the Bills Let There Be Light in the Fire Image caption Apotheosis of the Toiler Touching the Soil Out of the Blue, Into the Black (Vulture) The Tulip Tree Connection in Clay What I See from My Window Patient Observation: Birdwatching at the Cleveland Museum of Art Rereading Apprenticeship in Craft, Forty Years On There Is A Thread On Speaking With Precision Even the Shampoo Was Nice Over the Hills and Through the Woods Considering Ceramics Criticism Pattern, Process, and Synthesis: The Ceramic Sculptures of Mary Shannon Will Vibrant Intention Modern Potters, Traditional Pots History and Story of Mata Ortiz Ceramics: Why Oral Tradition Matters (Part I) No Time Like the Present: A First Festival Journal Fate Vs. Destiny Cheap to Make. Fun to Spray. Tacos, Death, and Old English Materiality and the Metaverse Presence Matters Pinch Pot Meditations Gary and Daphne Hatcher: Formed in Place The Elusive Catch: Purpose Finding the Voice of Material Gary and Daphne Hatcher: Formed in Place, Pt. II From Light to Dark From Dark to Light The Floor of the Sky Wonderfully Wild in Alabama: An Interview with Zach Sierke The Gift of Anger Flux & Poise: Paul Wearing Their Stories Were Written in Clay In Conversation with Nicole Seisler From the Journal of an Apprentice My Friend Flash In Conversation with Chris Garver It's Only Momentary Studio Potter Cartoons Shard Amphora Raw Material Routes A Conversation with Jason Briggs CO2 Gas Analyzer: Part II Beautiful Moments Caused by Clay: A Freight Brokers Story From Shifting Sands to Fertile Ground: Chronicles of a Clay Conference Pilgrim Ahikaaroa - Long Ago Fire: An Interview with Lillian Pitt and Richard Rowland Book Review: A Search for Relevance Deepening Connections: Shirlee’s Dream Rootedness – The Power of Peace A Letter from Ukraine The Last Supper: Julie Green's Lasting Contribution to Ceramics Packing Tea, Torture, and Reparations Bridges – The Journey of Michelle Ettrick Staying in the Center Absurd Mugs Blue Willow Pattern Value, Vanity, and Reflections of Us: An Exhibition Review of Luster + Light at the Ceramics Research Center Replicating Allure Blue-and-White Fragility Puzzling and Beautiful Crazing Patterns A delicate metaphor. Seeking of truth. How Removing Distance Can Bring Us Closer to Answering an Age-Old Question Where Everything is Interconnected A Way of Being Book Review A Gate and its Keepers An Unconventional Life The Kiln Building with Adobe Bricks Guatemalan Crafts and Human Rights Remembering Jane Harstook Linda Sikora: Beneath The Surface Tea, Comics, Sea Shanties, and Other Consistent Threads Dear Antonio Vivas No Experience, No Land, and No Money The Clay Hierarchy Book Review: An Enduring Legacy 1 Marinobel Smith and the Pan-American Ceramic National Fourteen Cords, Thirteen Cones, and All That Jazz Ōtagaki Rengetsu: Poet, Potter, Nun African Art: Traditional and Contemporary Pottery Book Review: Beyond Short Street The Gift On What Remains Remembering Michael Simon Silent Witness Book Review: An Enduring Legacy The Landscape of Our History - What You’re Looking for is in Your Backyard Everything in Between Connecting to the Earth through Art Unknown Lands A Partial Assessment of Gathered Reflections Learning to Fail Lasting Impression What I Learned as a Studio Assistant – Shaping Life Through Art Cultivating Balance in Life, Classrooms, and Community Through Wholehearted Teaching Figuring Space Pots at Rest Katherine Choy: Radical Potter in 1950s New Orleans Seeing Time: Temporality & The Kiln-Fired Object Inside the Pink House – A Conversation with Winnie Owens-Hart Work and Lives - Seven Ceramic Artists Interview with Jacqueline Bishop Face Jugs – Part One and Two Conversations With Myself Exquisite Corpse Set On Fire A Little: An Interview with Angelik Vizcarrondo-Laboy Lineal Rituals Highlighting Human Seeding Hope for the Future Photo Resist Some Thoughts on Apprenticeship Homemade Clay Mixer The Threads That Tie Ideas Together Studio Glass in Perspective Ash Glazes - Recipes and Comments From Here – Regionally Specific Ceramics The Pottery Film More Thoughts on Apprenticeship Conversations with Jack O'Leary Gas Burners and their Safety Systems Funky Tools Earth, Wind, and Fire Evidence of Things Unseen A Practice with Positivity Unexpectedly Full of Art Homage to Henry Book Review: Wild Clay Mathematics in Porcelain In Conversation with Noe Kuremoto – Contemporary Womanhood, Craft, and Dogu Ladies. Digital Craft - 3D Printing Porcelain Téranga - The Art of Welcoming Calle Ocho, And/Or: Hispanic Art, American Culture IndigenousClay Calle Ocho, And/Or: Hispanic Art, American Art - Frank Romero Something is Happening in Tacoma White Gold A Compassionate Obsession Environmental Art Resource Page Calle Ocho, And/Or: Hispanic Art, American Art - Gilbert Sánchez Luján The Dynamics of Transfer Rural Red Clay – An Artist’s Journey Through the South of Morocco Book Review: Commeraw’s Stoneware – The Life and Work of the First African-American Pottery Owner Accumulative Time Gathering What’s Needed: 400,000 Potential Collaborators Chasing Steven Hill Built Memories: Allegory of Change Exhibition Review: Conscious Dreaming – Vicky Lindo and Bill Brookes Born from the Borderlands Elegy For The Yard That Once Smelled of Ghosts Surface Dreams and Superstructures Save West Virginia University Ceramics The Doorway To Change The Lowdown on Low-Fire Porcelain Flirting with Disaster The Task The Spirit of the Earth by Barbara Gonzales Twilight's Last Gleaming by Barbara Donachy Cone Three Clay Bodies and Glazes: A Suggestion For the 90's by Richard Zakin Finding the Buddha by Shirley Tassencourt The Quest: A Curator's View by Jane Kessler Making Ripples by Marian Edwards Silica, Alumina/Rapture and Awe: Revising Clay Imaginatively by Paulus Berensohn Hierarchy of Information How to Craft the Ultimate Eco-Friendly Mug Oh, You Beautiful Thing Taken for Granted the worlds within the walls Hand of Nature Support Those Who Support Studio Potter Wild Glazes from Your Backyard A Receipt* for Cooking and Clay: A Delicious Collaboration of Taste and Place David Shaner Remembered Crafting Connections: Embracing the Comfort and Value of Handmade Ceramics Surface - Vol. 43, No. 2 Sustainability - Vol. 44 No. 1 Function - Vol. 13 No. 2 The First Issue - Vol. 1 No. 1 Indigenous - Vol. 41 No. 2 Generation - Vol. 42 No. 1 Tangible / Intangible - Vol. 42 No. 2 Sidelines - Vol. 41 No. 1 Garth Johnson - Vol. 40 No. 2 40th Anniversary - Vol. 40 No. 1 Failure - Vol. 39 No. 2 Sustenance - Vol. 39 No. 1 Boundaries / Digital - Vol. 38 No. 2 Money - Vol. 38 No. 1 Change - Vol. 37 No. 2 The Body - Vol. 37 No. 1 Tools & Technology - Vol. 36 No. 2 Teaching & Learning - Vol. 36 No. 1 Clay & Words - Vol. 35 No. 2 Color - Vol. 35 No. 1 Native Materials - Vol. 34 No. 2 Sculpture - Vol. 34 No. 1 Function - Vol. 33 No. 2 Starting Out - Vol. 33 No. 1 Young Potters - Vol. 32 No. 2 Malcolm Davis - Vol. 32 No. 1 Mentorship - Vol. 31 No. 2 Islamic Pottery - Vol. 31 No. 1 Oklahoma Potters - Vol. 30 No. 2 Shimaoka Tatsuzo - Vol. 29 No. 2 Jun Kaneko - Vol. 29 No. 1 Woodfiring - Vol. 28 No. 2 Mimbres Pottery - Vol. 28 No. 1 Bernard Leach Part II - Vol. 27 No. 2 Bernard Leach - 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