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Simone Leigh, Trophallaxis, 2008-2017. Collection Pérez Art Museum Miami. Copyright: © Simone Leigh. Photo: Farzad Owrang.

The Dynamics of Transfer

Chenoa Baker

How do bees feed together and survive food insecurity? Trophallaxis. Trophallaxis is the biological exchange of chemicals from one organism to another for feeding, communication, and immunity. Labor, protection, and morbidity are part of this term, as they affect both larvae and adult-to-adult feeding.

The Simone Leigh work bearing the namesake of this principle, trophallaxis, is a part of sustained investigations of chandelier-like work and the idea of breasts as vessels: Emperor Jones (2009), Queen Bee (2008 – 2012), Kool-Aid (2012), You Don’t Know Where Her Mouth Has Been (2012), and Invisible Manish (2015) are examples of this type. The chandelier mount displays the breasts from above, where the viewers' experience is from below, an infant’s view, revering them as a source of life and nourishment, or perhaps, showcasing them as receptacles or spectacles. This view both glorifies them and bears the memory of the display of Black women’s bodies, like the history and legacy of Sarah Baartman, an enslaved African woman who was taken to Europe in the nineteenth century to have her body put on display in freak show, carnival, and human curiosity attractions. 

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Chenoa Baker

Author Bio

Chenoa Baker

Chenoa Baker (she/her) is an independent curator, adjunct professor, arts writer, and museum consultant. With a specialization in African diasporic craftways, Baker develops culturally-rich writing and inclusive exhibitions. Baker is curating Ifé Franklin: Orun/Portal at the Fuller Craft Museum, debuting in 2027. 
 
Baker has previously contributed to major exhibitions like Gio Swaby: Fresh Up at the Peabody Essex Museum; Touching Roots: Black Ancestral Legacies in the Americas at the Museum of Fine Arts, Boston; and Simone Leigh at the Institute of Contemporary Art, Boston, and the Venice Biennale. In 2024, WBUR awarded her the Maker Award, where she was featured on NPR’s All Things Considered. Her prior clients include The Studio Museum, Boston Public Art Triennial, Denver Botanic Gardens, and Fallingwater.
 
Her internationally recognized writing is featured in Hyperallergic, The Observer, The Brooklyn Rail, Material Intelligence, and others. In 2023, Art Critics International awarded her the Young Art Critics Prize. To learn more, visit chenoabaker.org. 

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