2021 is closing with fifty-two stories added to the archives of Studio Potter. We all (a presumptive generalization, but understand the expression “we all” to acknowledge the intense energy emanating from the human collective that is our niche corner of craft) – so, we all – began the year with... Read More
In the November issue of Studio Potter, Harry Levenstein wrote Wonderfully Wild in Alabama: An Interview with Zach Sierke. Harry currently lives in the Berkshires of Western Massachusetts and works as the artist in residence and lab technician at the Bard College at Simon’s Rock. A practitioner... Read More
Thank you for listening to another installation of Studio Potter's Author Chats.
In the November issue of Studio Potter, Marion Angelica wrote The Floor of the Sky, wherein she shared ceramics artist Betsy Williams' recent search for high-fire, wild clays in New Mexico. Co-editor Jill... Read More
To fascinate is to “attract and hold attentively by a unique power or some other special quality.” To be fascinated is to be enthralled. Fascination arouses interest. Fascination is the first step of a journey with an unknown destination.
We might travel so far on this... Read More
Studio Potter is pleased to welcome Randi O'Brien as a Co-Editor. Beginning in January 2022, Studio Potter will have not one but two editors! The co-editors will publish in four-month blocks. Randi will bring us into the new year with a fresh, thoughtful selection of articles from January to... Read More
Three stories this month. Each one is a journey.
One author writes from the early part of his journey; if this was a story about a quest, we are meeting him on the road where he has already gathered his kit and set out from home. We, the readers, follow his nascent journey as he arrives... Read More
Ruddhi Vichare lives and runs her pottery studio 'Koorm' based in Pune, India. During the last year of college,... Read More
Studio Potter has moved through a handful of identities in forty-nine years. How could it not? When the journal began in 1972 it was a tactile version of open-source software. There was no social media. There was no YouTube to search for tutorials on how to put in a venturi burner. There was no... Read More
Established in 2019 and funded by an anonymous donor, Studio Potter’s Grants for Apprenticeships Program supports emerging artists who want to become full-time studio potters and mentor-potters who wish to take on... Read More