It has been said that I have a strong influence on other people's work, sometimes referred to as the “mingei-sota” school. This is mostly legend. I am a person trained in the '40s and '50s, and certainly getting on in years. Young people today have completely different backgrounds and are exposed to other influences. It would be wrong of them to make pots like mine, but we can certainly talk together about ideas and about an approach using the functional pot as an expressive form of work. That is what I encourage and what I teach.
I may have shown also that it is possible to earn a living as a functional potter and not be bored with what you're doing. If that encouraged people, I'm happy. But there is no one around where we live, as far as I know, or any former student of mine, making pottery like mine. Some base their work on utilitarian pottery, that is true, but many others have abandoned the pot form completely in favor of purely sculptural work.
I make the same pots today that I always have: pots for people to use in their homes. I make vegetable serving bowls, baking dishes, teapots, pitchers, mugs, drinking vessels, vases, and storage jars. I have an aversion to casseroles, partly because some of the loveliest casseroles are hidden away in storage until they go into the oven. I would rather make a deep baking dish, and, if you want to use it as a casserole, just put tinfoil over it. Otherwise, use it as a fruit bowl. […]