In This Issue
If you want something you have never had, you must be willing to do something you have never done. Words spuriously attributed to Thomas Jefferson, the sentiment seems to have started showing up in our collective consciousness around 2004. Even though the origin is unclear, the sentiment feels incredibly relevant today. Having had the opportunity to sit on and organize juries, one of my goals was to try and figure out how to retain quality and rigor while making way for a new and undefined aesthetic in the field. Inviting jurors with variegated pedigrees who jointly represented a broad demographic was one way of doing something that had never been done. However, the measure of – the definition of – quality and rigor seemed to persist, regardless of the journey any given juror took to arrive at their position of reputable respect. We had conversations about the quality of images, meaning we had conversations to clarify that the decision being made was not about who took the best images of their work. The decision being made was about who was exhibiting the most interesting potential and spark. Looking back, I know we were trying to do something that had never been done in order to achieve something we had never had, but now the effort seems feeble. Feeble because we were trying to preserve something at the same time we were trying to generate something new. It takes one of two things to really shift a paradigm. You have to either be courageous or you have to be so fed up there is no other option but to completely scrap the old paradigm and start fresh.
If you want something you have never had, you must be willing to do something you have never done.
This month we give you five stories of people doing just that.
by Richard Nickel
A new animated comic from Richard Nickel for Studio Potter about the life of Adelaide Alsop Robineau and her masterpiece, The Scarab Vase.
by Stephen Mullins
“My goal is to get handmade ceramics into the hands of as many people as possible, preferably people with little experience of clay or the tenets of craft. I believe we are in an unprecedented period with many beneficial avenues of opportunities available for artists.”
by Chrisoula Konstantakou
“I am fascinated with the laser beam as a heat source and how it ‘fires’ the red clay surface, revealing its many true colours without the suffocation of glazes.”
by John Morse
“My dreams enabled a strong sense of empathy and openness to different ways of thinking. They have fueled a fearless, and sometimes reckless, desire for new experiences. They have allowed me to visualize possibilities and embrace opportunities.”
by Russell Wrankle
“Then, the Last Prisoner Project came onto my radar. Their purpose is to free the 40,000-plus nonviolent prisoners who are in jail for cannabis. These nonviolent offenders remain in jail in states where marijuana is now legal.”
Be well everyone and thanks for reading,
Jill Foote-Hutton, Editor