She saw to the core of things and dedicated herself to strengthening that core. At Studio Potter, this meant honoring Gerry while looking ahead to the journal’s future and guiding the board and me through many challenges. Gerry’s approach had favored high ideals over practical strategies, but making that vision sustainable had been left unresolved. Harriet, whose mind was both visionary and practical, worked hard to join the two poles. She overhauled and oversaw the budget, brought in new, younger staff, pursued such details as ISBN numbers, and in general helped bring the journal more in line with the requirements of a 21st-century publication, while never losing sight of its unique history and importance. She supported me, mentored me, and faithfully safeguarded SP’s legacy, acting, in effect, as the institutional memory of the organization. Harriet had an innate feel for the combination of structure and personality that enlivens both works of art and works of human endeavor; it shines in her art, and also, unseen, in the years she dedicated to Studio Potter. For that, I am enormously grateful, as all who read and treasure the journal should be.
When I conjure Harriet in my mind’s eye, I remember, of course, her vigor, which was legendary. But I also see the wide blue eyes that looked so curiously and fearlessly upon the world, set above a strong jaw that left no doubt as to her integrity and resolve. I was honored to know her and to work with her.