NW Oregon Potters - Vol. 6 No. 1

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Articles

Karen Karnes, A Conversation

Karen Karnes

My parents immigrated to this country from Russia . . . Their background was not in art and they probably would have discouraged me if they thought I'd "end up" as an artist.

An Historical Review of Art Commerce and Craftsmanship

Harry Davis

It may be wondered why I, as a potter, have chosen a title which obviously has more to do with sociology than pottery...

Maya Bowl: from the Dumbarton Oaks Collections, Washington, D. C.

Elizabeth P. Benson

Like all Pre-columbian pottery, this bowl was not made on a wheel...

Hydroelectric Power and the Potter

Drich Bowler

They laughed, back in 1947, when we began collecting materials to build our own power plant...

Some Experience with a Fiber Kiln

Jon Ellenbogen

Kiln construction for the studio potter hasn't changed much in the United States in the last century or two...

Colored Clay Overlays Conceived as Landscapes

Leif Wicklund

Gold pale swatches of light cobalt blues and rutile flesh pinks have formed three heads of sky wandering thru the clouds...

Homemade Filter Press

Annelies Kahn

When the muscles ache, the back groans, and the bank account refuses the purchase of a clay mixer, there is only one solution: improvise. Potters had been making their own clay long before the advent of clay mixers and pug mills...

Cyanotype On Clay

Glenn Rand

The idea of mixing media is an interesting challenge. The most important part involves the interplay of the sciences of various media to create a new form...

Tom Turner's PTO-Powered Portable Salt Kiln

Tom Turner

This is it! The solution to pollution!

Studio Glass

Thomas S. Buechner

I believe that the Studio Glass Movement will prove to be one of the most important events in the history of glass...

A Reply to Some Editorials

Charles Musser

Is the dualistic distinction between the 'arts' and the 'crafts' a valid one that we want to support and perpetuate?

Death Valley Mining

Gerry Williams

I stand at the edge of an enormous hole. The huge pit drops off suddenly at my feet, and my breath sucks in with a gasp. The cavity is 400 feet deep...

Letters

I can't resist the urge to react to the comments of various potters and teachers in your last issue, although the wisest remarks are probably by Bob Arneson...

15 Southwest Oregon Potters

Turned to porcelain because he wanted a background to paint on. Likes the smooth sensuality of porcelain, its translucency, and difficulty to throw. "My first porcelain formula was like cream cheese — you slammed the door and it would collapse."

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Articles