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Martina Lantin: I’m interested in how as a curator of several international exhibitions, you determine the overall vision or unifying element for such events. As this issue is about borders and boundaries, one component of that is examining the impact of contemporary art practice on geographical or political borders and vice versa. From a North American perspective, much of what is curated or accessible to view is work produced locally, regionally, or nationally. From my perspective, the border between Canada and the United States is palpable. Sharing artwork across this boundary is challenging, and there is a lack of awareness between the two countries. How do national boundaries affect your practice as an arts administrator and curator working in Europe?
Wendy Gers: National boundaries have a huge influence on my practice as a curator. On a global scale, the question of borders is especially significant at the present moment, as Trump investigates extending the border wall between the United States and Mexico, and Britain leaves Europe over questions of national sovereignty. Borders are at the heart of many of my projects, as so many important issues, both political and personal, are shaped and influenced by issues of nation and nationality.
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