Skip to main content

Search form

Shopping cart 0 items
Subscribe
Donate
Member Login
Student Login
Home
  • Become a Member
  • Studio Potter Store
  • Journal
    • Current Articles
      • Interviews
      • Narrative
      • History
      • Technology
      • Criticism
      • Other
    • Print Archive
  • Announcements
    • General
    • Classified
    • Events
    • Newsletter
  • About
    • Mission
    • History
    • Masthead
    • Board of Directors
    • Contact
    • Privacy Notice
    • FAQ
  • Grants
  • Contribute
    • Underwriting
    • Donate
    • Write for SP
    • Internships
    • Partners
Anela Ming-Yue Oh
Author Profile
Anela Ming-Yue Oh

Anela Ming-Yue Oh (she/her) is a multidisciplinary artist based on the Big Island of Hawai’i. She holds a BFA in studio art from the School of the Museum of Fine Arts (SMFA). She uses materials that have a life of their own, such as clay, paper, and fiber, to feed her studio practice and create environments full of hope. As a mixed-race artist of Malaysian Chinese descent living in the kingdom of Hawaiʻi, her visual language draws from her heritage as a reminder that there are reservoirs of strength we can draw upon from those who have passed away to imagine and construct new futures that connect us. An integral part of that practice is being a kapa maker in kumu Roen Hufford’s kapa hui in Waimea, Hawaiʻi. She has been an artist-in-residence at Sonoma Ceramics, Arrowmont School of Arts and Crafts, Tiapapata Art Center in Sāmoa, and Watershed Center for the Ceramic Arts, and a teaching artist-in-residence at the Oxbow School. She was also a West Bay View Fellow at Dieu Donné Papermill and traveled to Malaysia as an SMFA at Tufts Traveling Fellow in 2023.

Articles

Ceramic and 3-d pen structure being dragged through pigmented kozo (paper mulberry) fiber for State Changes installation
Weaving Cultural Connections Through Materials
By Anela Ming-Yue Oh
The desire to see this integral piece of my cultural heritage alive in the context of diaspora is extremely important to the way I integrate it into my own artistic practice, even in more abstracted ways. This is why referencing batik in clay with a relationship to fiber is at the heart of my practice, giving a new body and shape to my visual and cultural heritage. Culture is something alive and growing, and this meeting of many cultures is reflected in my materials and their processes.
This month's FREE article.
Read More

CONTACT  |  NEWSLETTER SIGNUP  |  COPYRIGHT © 2020 STUDIO POTTER  |  SITE DESIGN

Design by Adaptive Theme

Member Log in

Enter your Studio Potter username.
Enter the password that accompanies your username.
Forgot your password?
Continue as Guest
Become a Member
Library IP Login