Women / Clay - Vol. 20 No. 1 - Part II

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December 1991

First Person Narratives: Gwyn Hanssen Pigott, Marie Woo, Maria Luisa Delgado y Partin, Nora Naranjo-Morse; The Voice of a Black Woman by Marva Lee Pitchford Jolly; Artist as Environmental Activist by Allison Newsome; Working Soft by Paulus Berensohn; Wives by Ann Shaner and Gertrude Ferguson; Mothers With Careers in Clay - Catharine Hiersoux, Nancy Selvin and Coille Hooven; Collaborative Environments: Jane Dillon, Betty Woodman and Pam Lau, Valerie Otani, Elizabeth Stanek, and Andree Singer Thompson, Cheryl and Robert Husby, Nancy Train Smith; Lilith - a poem by Suzanne Benton; Also: Raku: The Firing Process by Steven Branfman; Social Signals Symposium by Jay Lacouture; American Woodfire Conference '91 by Lynn R. Munns; Aids Workshop by Alexandra B. Trub; International Executive Service Corps by Stan Zelinski; Empty Bowls Goes to Washington by John Hartom and Lisa Blackburn.

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Articles

Balance and Harmony

Marie Woo

Experiences that began in Japan have taken years to digest. In Japan I discovered the timeless quality of a traditional and ancient society.

Autobiographical Notes

Gwyn Hanssen Pigott

I have just been reading the transcript of a talk the fine British potter Sarah Walton gave in 1983 at the Sainsbury Centre, Norwich.

Wives

Ann Shaner & Gertrude Ferguson

"Being a potter is somewhat like being a farmer," Dave Shaner, my husband, casually commented some time ago.

Choices: Mothers With Careers in Clay

Charlotte Speight

A conversation with Coille Hooven, Nancy Selvin, and Catharine Hiersoux compiled by Charlotte Speight.

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