The idea of mixing media is an interesting challenge. The most important part involves the interplay of the sciences of various media to create a new form. For many years, ceramicists have been interested in finding methods of putting continuous tone photographs on clay objects. Making the photo part of the surface in such a way that the image is able to be glazed over or used in a salt kiln is what most would try for. This means there must be a sensitized clay whose image will resist firing.
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