18 | The Use of the Volumetric in the Ceramics of Pablo Picasso
BY LÉOPOLD L. FOULEM
This article discusses Picasso's unique understanding of space and approach to ceramics as a medium.
BY CAROLINE COLE, NONIE GADSDEN, AND EMILY ZILBER
This article give insight to the curatorial process behind the 2015 exhibition of the same title at the Museum of Fine Arts, Boston.
48 | The Last Sane Man Book Club
INTRODUCTION BY ELENOR WILSON
52 | MARY BARRINGER
54 | MARK SHAPIRO
56 | MOYRA ELLIOT
60 | ERIC SMITH
This section not only reacts to Tanya Harrod's book, The Last Sane Man: Michael Cardew, Modern Pots, Colonialism and the Counterculture, but also discusses Cardew's far-reaching influence.
58 | SP Journal Timeline with Cardew
64 | Cardew's Apprentices
BY H.P. BLOOMER
In this article, Bloomer uses personal experiences to explain the importance of mindfully choosing glazes.
26 | Digital Surfaces
BY ADAM CHAU
In his narrative, Chau covers his inspiration and methodology for his "Digital Calligraphy" series.
30 | Highlighting the Human
BY GRACE SHEESE
Sheese explains how she goes about creating forms and surfaces that contrast her work from mass-produced ceramics.
BY KATE MAURY
Using her education and facination with detailed designs as a frame for her narrative, Maury discusses the complexity of surfaces.
65 | Cheek by Jowl
BY LEANNE MCCLURG CAMBRIC
Cambric lyrically tells the story of her approach to, creation of, and relationship to ceramic surfaces.
BY KEITH LUEBKE
In the first half of this two-part essay, Luebke explains the fluidity of ceramic surfaces by highlighting their ability to change meaning in different contexts.
WITH DONALD CLARK
SP editor, Elenor Wilson, and The Marks Project manager, Donald Clark talk in detail about The Marks Project — what it is, how it started, and more.
BY CAMILA FRIEDMAN-GERLICZ
Freidman-Gerlicz writes about her experience as a teaching assistant for Del Harrow's digital fabrication course in which the class worked together to design a second trailer for the new Artstream.
42 | Beneath the Surface
BY AMANDA BARR
In this article, Barr wrestles with questions surrounding the many purposes behind and meanings conveyed by surface design.
70 | Anagma
BY ERIK REHMAN
Rehman gives a creative account of firing.